Verso books

Mass protest movements in disparate places such as Greece, Argentina, and the United States ultimately share an agenda - to raise the question of what democracy should mean. These horizontalist movements, including Occupy, exercise and claim participatory democracy as the ground of revolutionary social change today.

Under the Banner of King Death is a tale of mutiny, bloody battle, and social revolution, bringing to life an itinerant community of outsiders behind today’s legends. This graphic novel breaks new ground in our understanding of piracy and pirate culture, giving us real reasons to love the rebellious and stouthearted marauders of the seas.

Five hundred years since its first publication, Thomas More’s Utopia remains astonishingly radical and provocative. More imagines an island nation where thousands live in peace and harmony, men and women are both educated, and property is communal. In a text hovering between fantasy, satire, blueprint and game, More explores the theories and realities behind war, political conflicts, social tensions and redistribution, and imagines the day-to-day lives of a citizenry living free from fear, oppression, violence and suffering. But there has always been a shadow at the heart of Utopia. If this is a depiction of the perfect state, why, as well as wonder, does it provoke a growing unease?

Revolutionary novelist, historian, anarchist, Bolshevik and dissident – Victor Serge is one of the most compelling figures to have emerged from the history of the Soviet Union. A dedicated activist who joined the Bolsheviks in 1919 and fought in the siege of Petrograd, only to be later consigned to poverty and persecution for rejecting both capitalism and Stalinism, he was a keen observer of his times. Carefully wrought and meticulously researched, Susan Weissman’s Victor Serge is the definitive biography of an extraordinary man.

It was 1969, and temperatures were rising across the factories of the north as workers demanded better pay and conditions. Soon, discontent would erupt in what became known as Italy’s “Hot Autumn.” A young worker from the impoverished south arrives at Fiat’s Mirafiori factory in Turin, where his darker complexion begins to fade from the fourteen-hour workdays in sweltering industrial heat. He is frequently late for work, and sells his blood when money runs low. He fakes a crushed finger to win sick leave. His bosses try to withhold his wages. Our cynical, dry-witted narrator will not bend to their will. “I want everything, everything that’s owed to me,” he tells them. “Nothing more and nothing less, because you don’t mess with me.”

The stories of the hard-rock miners’ shooting wars, young Elizabeth Gurly Flynn (the “Rebel Girl” of contemporary sheet music), the first sit-down strikes and Free Speech fights, Emma Goldman and the struggle for birth control access, the Pageant for Paterson orchestrated in Madison Square Garden, bohemian radicals John Reed and Louise Bryant, field-hand revolts and lumber workers’ strikes, wartime witch hunts, government prosecutions and mob lynching, Mexican-American uprisings in Baja, and Mexican peasant revolts led by Wobblies, hilarious and sentimental songs created and later revived - all are here, and much, much more.

By the end of the nineteenth century, the general Western conception of work had been reduced to simply gainful employment. But this limited perspective contrasted sharply with the personal experience of most people in the world - whether in colonies, developing countries or in the industrializing world. Moreover, from a feminist perspective, reducing work and the production of value to remunerated employment has never been convincing.

Composed in 1790, Mary Wollstonecraft’s seminal feminist tract A Vindication of the Rights of Woman broke new ground in its demand for women’s education. A Vindication remains one of history’s most important and elegant broadsides against sexual oppression. In her introduction, renowned socialist feminist Sheila Rowbotham casts Wollstonecraft’s life and work in a new light.