Verso books

In the uprisings of the Arab world, Alain Badiou discerns echoes of the European revolutions of 1848. In both cases, the object was to overthrow despotic regimes maintained by the great powers-regimes designed to impose the will of financial oligarchies.

For a brief explosive period in the mid-1970s, the young and the unemployed of Italy’s cities joined the workers in an unexpectedly militant movement known simply as Autonomy (Autonomia). Its “politics of refusal” united its opponents behind draconian measures more severe than any seen since the war.

Throughout the ages and across every continent, people have struggled against those in power and raised their voices in protest-rallying others around them or, sometimes, inspiring uprisings many years later. Their echoes reverberate from Ancient Greece, China and Egypt, via the dissident poets and philosophers of Islam and Judaism, through to the Arab slave revolts and anti-Ottoman rebellions of the Middle Ages. These sources were tapped during the Dutch and English revolutions at the outset of the Modern world, and in turn flowed into the French, Haitian, American, Russian and Chinese revolutions. More recently, resistance to war and economic oppression has flared up on battlefields and in public spaces from Beijing and Cairo to Moscow and New York City.

Throughout written history and across the world, women have protested the restrictions of gender and the limitations placed on women’s bodies and women’s lives. People - of any and no gender - have protested and theorized, penned manifestos and written poetry and songs, testified and lobbied, gone on strike and fomented revolution, quietly demanded that there is an “I” and loudly proclaimed that there is a “we.” The Book of Feminism chronicles this history of defiance and tracks it around the world as it develops into a multivocal and unabashed force.

One hundred kilometres from Seville lies the small village of Marinaleda, which for the last thirty-five years has been the centre of a tireless struggle to create a living utopia. This unique community drew British author Dan Hancox to Spain, and here for the first time he recounts the fascinating story of villagers who expropriated the land owned by wealthy aristocrats and have, since the 1980s, made it the foundation of a cooperative way of life.

Artists in America have long battled against injustices, believing that art can in fact “do more.” The War of Art tells this history of artist-led activism and the global political and aesthetic debates of the 1960s to the present. In contrast to the financialized art market and celebrity artists, the book explores the power of collective effort - from protesting to philanthropy, and from wheat pasting to planting a field of wheat.

Injustice should not simply be accepted as “the way things are.” This is the starting point for The Xenofeminist Manifesto, a radical attempt to articulate a feminism fit for the twenty-first century. Unafraid of exploring the potentials of technology, both its tyrannical and emancipatory possibilities, the manifesto seeks to uproot forces of repression that have come to seem inevitable - from the family, to the body, to the idea of gender itself.

Mass protest movements in disparate places such as Greece, Argentina, and the United States ultimately share an agenda - to raise the question of what democracy should mean. These horizontalist movements, including Occupy, exercise and claim participatory democracy as the ground of revolutionary social change today.

Under the Banner of King Death is a tale of mutiny, bloody battle, and social revolution, bringing to life an itinerant community of outsiders behind today’s legends. This graphic novel breaks new ground in our understanding of piracy and pirate culture, giving us real reasons to love the rebellious and stouthearted marauders of the seas.